Don’t know why they did it, but Rolling Stone has reposted an interesting article on Jimi Hendrix from February 1992.
From the story:
Hendrix was also a pivotal figure in the continuum of American black music. Although marketed to white audiences as a rock & roll wild man and, in the beginning, widely rejected by the black community as such, Hendrix ambitiously recast the music of his forefathers and elders – Robert Johnson, Muddy Waters, Charlie Christian, Chuck Berry – into electrifying future soul and elegiac cosmic balladry. His experiments with funk rhythms, heavy blues, electronic-sound collages and sensually charged romantic pop, in turn, laid the foundation for later innovations in black rock and R&B by George Clinton, Miles Davis, Prince and Living Colour. At the same time, Hendrix set a new standard in stage outrage with his jaw-dropping act of rubber-limbed playing positions and blatant erotic suggestion.
It’s definitely worth reading.
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